In abstraction, I find an immeasurable freedom—no one interferes, no one claims expertise, no one says anything. People simply look: some like it, some don’t; someone might pay a fortune, while for others it means nothing at all. For me, abstraction has always been about the material. The material tells me what it wants. I cannot force it to change. Its viscosity, density, duality, adhesiveness, the blendability of colors—all of these determine the outcome. The way different paint bases react to each other is a kind of play, a library of knowledge. This is what I build upon. My works are born from this, revealing more about the material than I could ever express in words.